There were several layers involved in creating what became the final form of the film “Black Panther”.
The Black Panther comic book character was created by writer-editor Stan Lee and writer-artist Jack Kirby in 1966, a scant two years after the Civil Rights Act of 1964:
en.wikipedia.org/wiki/Civil_Rights_Act_of_1964The bill was called for by President John F. Kennedy in his Report to the American People on Civil Rights of June 11, 1963, in which he asked for legislation “giving all Americans the right to be served in facilities which are open to the public—hotels, restaurants, theaters, retail stores, and similar establishments”, as well as “greater protection for the right to vote”.
After explaining the origin of Wakanda, “Black Panther” begins with what appears to be aliens visiting black American humans in Oakland, California.
It turns out that the “aliens” are Africans, specifically Wakandans, and they have arrived to talk business with someone.
The person arriving is revealed as the king of Wakanda and the person he’s talking to is revealed as his own brother, who is a spy for Wakanda in their Hatut Zeraze (basically CIA, referred to as “War Dogs”).
So now, instead of an African speaking to an American, we have an African speaking to an African who’s pretending to be an American so he can spy on who knows what ¯\_(ツ)_/¯ because Wakanda is advanced enough to fly cloaked aircraft and in fact cloak their entire kingdom from being seen for the technological marvel it really is. Continue reading ““Black Panther” Film Discussion [Part 07: Culture Clash]”
The term suspension of disbelief or willing suspension of disbelief has been defined as a willingness to suspend one’s critical faculties and believe something surreal; sacrifice of realism and logic for the sake of enjoyment.