According to the interviews I’ve seen, the book is actually about both the Democrat and Republican races in 2008, but since they had to condense it to a 2-hour movie, they elected to focus on the Palin angle.
Also according to video footage I’ve seen, both Palin and John McCain have denounced the film, even though neither had seen it at the time of their interviews, but that makes sense if they weren’t personally consulted about the script and the potential authenticity (or not) of the book it was based on. Continue reading ““Game Change” Review [Part 01 of 02]”
So they finally released the movie “Twilight” on cable, so I was able to check it out and see what all the hubbub was about.
Vampire shows have been all the rage recently. HBO has a series called True Blood that’s really popular and pretty much anything dealing with vampires is going to get run these days.
I’ve been wondering for quite a while why chicks have been falling all over themselves over “Twilight”. I figured a vampire movie is a vampire movie is a vampire movie. *yawn*
Having watched it now, I get it completely. The screenplay was very well written to fit the brainwashing of American females if not females all over the world.
I’m not saying the movie was interesting or good or unpredictable, haha.. I’m just saying that I understand why it’s a phenomenon because it hits the points that girls are trained to look for when they fantasize about being involved in a romantic relationship with a guy.
Please don’t ask me what’s going on in this picture. Thank you very much. Moving right along….. 😀
There are A LOT of Asians in Manhattan, NYC. However, if your “understanding” of Manhattan comes from watching television or films, you’d probably assume that there weren’t any at all.
I don’t know anything about the casting industry, but it pretty much seems that unless someone writes elements specifically attributed to Asians (and we all know what THOSE are) into a show, you’re not going to see any Asian brothaz headlining American films unless they blow up large, like Chow Yun-Fat.
This panel, featured distinguished content creators and arbiters offering audiences a primer on the best approaches to producing your Web series. Should you produce it yourself or wait for production money? How long should the show be, and how frequently should it appear? Do you syndicate, or offer it exclusively. Lastly, how do you get people to watch it? Panelists: * Paul Kontonis (Moderator) – CEO, For Your Imagination * Bill Cammack – Video Editor and Consultant * Kirby Ferguson – Writer/Director/Producer, GoodieBag.tv * Marc Hustvedt – Editor-in-Chief, Tubefilter News * Brett Wilson – Co-founder and CEO, TubeMogul
Today, March 20th, 2008 marks the five year anniversary of the start of the Iraq war. We’ve been told what’s going on IN Iraq, but what about the people who fled to other countries for asylum and have now become refugees? What about their familes? Their careers?
Christian Payne traveled to Jordan to photograph and interview Iraqi refugees. Bill Cammack edited his photos and narration into this video, “Iraqi Refugees: Life in the Shadows”.
Initially, this post was going to be called “Thanks for the Thanks”, because I definitely appreciate Christian’s authenticity and heartfelt statements. 😀 “Cheers for that”, as they say over there in the U.K. 😀
However, that’s really a private communication between Christian and myself that happened to be expressed on a public medium (both his video and my text, above). What I think would be more useful to my 40 readers, according to Technorati (minus however-many registered search engines :p) is to talk about the process of creation, in this case, dealing with video, and the difference that it makes when you’re actually emotionally invested in what you’re doing. Also, I wanted to give Christian some more background on how we ended up working together.
In November, 2006, Dan collected music pieces from Phil and other members and made a “mash-up” with video footage I sent him of New York City nightlife:
I say “sort of” aware of Phil because at that time, social media wasn’t advanced enough for people to get to know more about each other than what they typed on a page or a picture or video they posted. At this point, we not only have the technology to do our own video shows, like Phil’s “The Gravity”, but there are more and more live services popping up… Ustream, BlogTV, Yahoo! Live, LiveVideo, new services all the time, where we get to see a lot more about people than we used to.
So anyway, I got to know Phil Campbell as a quality guy who STAYS on top of the game when it comes to social media and is simply a treasure trove of good ideas. 😀
Next in order, Andrew Lipson gave me an invite to this (at the time, invite-only) video-messaging application called Seesmic while I was an audience member of the Jeff Pulver Show. I checked it out, but it really wasn’t my type of conversation going on between the beta-testers, so I just watched Seesmic like a television show instead of participating in the watercooleresque banter.
There were a couple of people there with strong personalities and methods to their madness. The most animated and volatile of them was this character named “Documentally”. 😀 Most people, once you’ve seen four videos of them, you know their range… or at least the range they’re willing to bring to the world-stage which is Seesmic or any other site where you post videos that people can watch from NYC to Zimbabwe. With Documentally, you never really know what was going to happen in one of his videos. He might say something intelligent and serious. He might say something batty and off the wall. He might say nothing at all. He might roll his truck and videotape the situation as if he’s the first reporter on the scene! 😀 It was clear from the “Documentally” character that Christian Payne had A LOT of range to his personality, and there was a lot of entertainment value in his videos.
So being a morning person, I tend to chat with the European folks (who are 5/6 hours ahead of us) before the Americans wake up. I’m chatting with Phil Campbell and he mentions that his friend Christian had a project he was working on. I let Phil know I was aware of Documentally and was willing to chat with him about the project. In skypeing with Christian, I got to meet the “hang out at the pub” version instead of the “Seesmic character” version. He’s a nice guy, and as he put it in the video, he’s “someone I’d like to call a friend”. 🙂
I really meant to talk about the actual project, but I’ll do that some other time. This ended up being a post about connections. One of the benefits of social media is that people get to learn about each other at their own pace and according to their own level of interest. Another benefit is that we have checks and balances inside our “echo chamber”. For example, Dina Kaplan and I have 102 “Facebook Friends” in common! :O … Even if you spit that into 50 friends and 50 acquaintances, that means there are *50* people that I can contact right this second and ask them a question about Dina. I’d probably get 15 responses back, and they’d all be approximately the same, because that’s how Dina carries herself. She’s consistent.
Through social media, and also by meeting in person @ Adam Quirk‘s event named Vloggercue in Brooklyn, I developed an impression of Phil Campbell as a stand-up guy and a good judge of character. For Phil to bring up Christian’s project to me, I’m automatically *infinitely* more inclined to hear more about it. Yes, it helped A LOT that Christian already had a strong social media presence. Yes, it helped A LOT that the photos he shot for the project are rich and full of emotion, intimacy and meaning. However, the *main* thing is connection… passing it on. Social media offers us the opportunity to get to know each other, asynchronously… and then follow up to find out how the real person matches up to his or her online persona.