Twitter Has “Ruined” My Life

Posted by Bill Cammack On June - 28 - 2007

For those of you that don’t know what twitter is… Basically, it’s a DIY (do it yourself) chat room. You choose people that you want to “follow”, and you can see when they type something to the twitter site. People can choose to follow YOU, and they’ll see what you type to twitter. There’s no forced mutual following, so sometimes, it’s a one-sided deal. You can see what someone’s saying, but they can’t see what you’re saying… which is unfortunate for them when they ask a question that you “tweet” (somehow the verb form of twitter…… meaning each entry should be called a TWIT or the site should be called TWEETER, but anyway…) the answer to and then an hour later, you see them ask again if anyone has a solution for them. :D

I think twitter’s more effective in areas where people are in relatively close proximity to each other or at least can get to where other twitterers (tweeters?) indicate that they are or that something’s going on. It’s extremely useful during conferences, like SXSW or PodCampNYC. Twitter works on cell phones as well as computers, so people on-the-go can still find out the latest information, ASAP. The benefit here is that instead of texting… or, could you imagine, actually CALLING several people to tell them where you’re about to have lunch, or what floor you’re hanging out on and with whom


Photo Credit: Jared Klett

… You can make one “tweet,” and everyone that’s following you receives the same information at the same time. (PS – If you don’t know what twitter looks like, you can see it on my macbook pro screen on the right side of the picture.)

So, by now, you’re saying “All I’ve heard is positives!” :D Yes. That’s true. :) I think twitter is a very positive thing, or at least it CAN be. It all depends on how you use it. If you clutter your “friends list” with people that don’t do anything, but seem to always have something to say about the NOTHING they do all day, then it’s a waste of your time and energy to read the feed. That’s not my ‘problem’… it’s exactly the opposite! :O

The first day I became aware of twitter, I ‘crawled’ through my friends’ friends lists and added people that I thought might be interesting to follow. I was doing something that day, and I don’t remember what, but I remember doing just ONE thing… :) So I happened to have added someone that appears to be an actress. A “tweet” comes up that she’s heading wherever to meet with whomever. I’m like “ok”….. Then, while I’m still doing the same thing, and time doesn’t really seem to have moved at all, another tweet comes up from her saying that NOW she was heading to a different location to do something else. I’m like “ok”….. So while I was sitting there, still doing the same thing… over the course of the day, she did at least SIX THINGS in six different locations! :O I noticed how interesting it is to ‘eavesdrop’ on the goings-on of someone that’s in a profession you don’t know anything about, but I ALSO noticed that I could have done a lot more with my day than what I did while she was scurrying all over the place being effective.

I chalked it up as a fluke, but the same thing happened the next day and then the next day. To make matters worse, the rest of the people I added are workaholics also! :D So now, all day, every day, I get to hear about where they’re going and what they’re doing and who they’re meeting with and what’s happening in Second Life and what country they’re in and which conference is starting and who’s the keynote speaker and who’s broadcasting live on the Internet right now…..

On top of what they’re ACTUALLY DOING, I have to hear about what they think is interesting on the net, who made a new video, who didn’t get paid for the unauthorized use of their photo coughlanbuicough, what’s the latest social site somebody created, how to get invites to be a beta tester, what just crashed their browser, which phone shoots the better video, who updated their blog, what’s the latest HD camera that records MP4…..

And then, while you’re trying to be more productive with your day, AND you’re checking out all these links that people sent out so the tabs on the top of your browser are increasing and getting smaller and smaller… You get to find out who’s going to lunch at such and such a place, who’s going out for drinks later, who’s flying into town for the weekend, where the Wii Sports tournament’s going to be, which bar is giving out free beer RIGHT NOW!, the sun just came out over Central Park, the party’s moving from location X to location Y….. So now, instead of having the excuse that you don’t know if anything’s happening tonight or this weekend and actually getting to USE the time that you had allotted to being more productive, which was ALSO spurred on by twitter… You’re hanging out all the time, to the wee hours of the morning, then spending the better part of the next day updating your flickr set! :D

Oh, yeah… It also doesn’t help that people live in different time zones. :/ When you’re in the middle of your day, people are talking about “GOOD MORNING FROM HAWAII,” then when you’re done, they’re talking about going out to lunch…

As you can see, the overall effect of this twitter phenomenon is that there are NEVER enough hours in a day anymore. :/ Every second you’re not running with the pack, you’re falling behind. Unfortunately, I don’t subscribe to slackers, so it’s always build, create, innovate, move, report, link, blog, videoblog, discuss, contemplate, debate….. You just have to do as much as you can and eventually call it a day. :D

There is one downside-downside to twitter, and that’s when it CRASHES, and suddenly, you’re “flying blind”. Twitter has two types of crashes. Type-2 is complete denial of service. :D Either the site doesn’t come up at all or it comes up but doesn’t let you type anything and doesn’t give you any updates from anyone else either. You just sit there looking at this screen that says “so-and-so said whatever about 3 hours ago.” Suddenly you start trying to activate the telepathy that you just KNOW you have that will allow you to discernn where people are and what they’re doing, even though none of the “tweets” are coming through at all, hahaha. I suppose it’s the same way people feel when they open the fridge and find out that someone drank the last of the Kool-Aid and didn’t fill it back up! :O You just stare at the container, IMAGINING how good that Kool-Aid would have tasted… IF it were actually IN the container. :/

The Type-1 twitter-crash is way more frequent and way more frustrating! :D Twitter lets you type things, but then there are random occurrences right afterwards. What you typed mght disappear into thin air, and twitter acts like you never typed anything at all. It might appear in the list of “tweets”, but then, when you refresh, it’s gone. You can type something and what appears in the list is a duplicate of something you typed hours ago, competely replacing what you actually typed. “Tweets” show up out of order and randomly appear and then disappear upon refreshes. Etc, etc, etc… Anyway… Type-1 twitter-crashes inspire denial as well as disbelief as you realize your carefully crafted post, complete with hyperlinks, has been eaten by twitter and if you didn’t select it and copy it before pressing “Update,” you have to start all over again.

You can imagine the effect these crashes have on the twitter-dependent… suddenly scurrying to use email, instant messaging and telephones to try to find out what’s going on… one.person.at.a.tiiiiiime… :D It’s not for the faint of heart. So beware, and be aware! :D Watch out for the effects of TMI (too much information). If you recognize it starting to be too much, take a bunch of people off of your “friends list” to slow down the traffic to only relevant information that’s useful to YOU… or Just.Say.No! :D

Bill Cammack • New York City • Freelance Video Editor • alum.mit.edu/www/billcammack

Pretty Girls – Too Unapproachable?

Posted by Bill Cammack On June - 26 - 2007

Hey Derek. Thanks for the question! :D

Yes. There’s double truth in your statement. Pretty girls are perceived to be unapproachable, AND there are lots of pretty girls without men because of this issue.

See, first of all, girls are girls. :D When you live somewhere like Japan, there isn’t much difference between the girls, so they all have a chance to get guys. This leads to them being more approachable because they don’t develop a perceived superiority to the other girls.

In the USA, there’s a VAST DIFFERENCE between the looks of the girls. :D There are a few that are really attractive and a lot that are just totally busted. :D What happens here is that all the guys chase after the attractive girls and give them anything they want. This goes to the attractive girls’ heads, and they get this inflated sense of self-worth…. Until they hit 19 and their bodies stop maintaining themselves on their own. When this happens, if they don’t start working out, they get out of shape and become has-beens. :) This is when you see the zombie-like girls that you can tell used to be fine, but now they stumble around town opening their own doors and not having anyone rap to them in the streets or try to pay for them to eat or buy clothes. :D They are now experiencing what life is like for most of the population, and it’s pretty depressing for them.

Until that happens, though… They’re held up as the best of the best of American society. There’s nothing better than a fine chick, so they get everything they want and everyone listens to them and wants to be their friends. Because of this, MANY fine girls get conceited. They act bitchy towards people because they know they can get away with it. This has the effect of giving fine girls a bad name. People think they’re ALL stuck up because of the ones that can’t be gracious about their God-given good looks, which are actually the luck of the draw and have nothing to do with their own actual worth, but instead is a function of their parent’s genes.

So… Guys go out to parties and meet stuck up attractive girls and get tired of getting shot down so they stop approaching fine chicks. They start sticking to the more humble, more personally attractive and still decent-looking girls. This is why you see more girls in this range married. The guys looking to get married are tired of the incessant demands of hot chicks, so when it’s time to get married, they choose someone more ‘Down To Earth’.
Reader Derek writes:

Bill,

I hear that many a pretty girl are without men because they are perceived to be unapproachable. Any truth in that statement?

This is why a lot of pretty girls are without men, as you mentioned. Because they’ve been given a bad rap, everybody wants to hook up with them but nobody wants to keep them. Even if they have the sweetest personality, the guys that would be good for them are tired of dealing with women that attractive, so they have to go without. The only guys willing to kick it to them are players who know what they’re doing and enjoy the challenge. The problem with that is that these guys come in loaded for bear, and the hot chicks end up getting used and dumped.

So… What does this mean for attractive women? Y’all need to showcase your personalities AS.MUCH.AS.POSSIBLE! :D Let the guys know that you’re willing to hear what they have to say, and they’ll let down that shield that they built up from being rejected so many times by the upper echelon of American females. The best bet for very attractive women is to be friendly… not to EVERYBODY, but to the guys that you’d like to talk to you because they’re scared to death that you’re going to be some crabby bitch and they’re looking right past YOU at your not-as-attractive homegirl, because they figure she’ll be more friendly and likely to be good relationship material.

As for the guys… You have to realize that attractive women get a lot of stuff, but they’re also getting played left and right. Sooner or later, they get tired of that and want a “good man” to spend time with that actually likes them for who they are and not just because of their fantastic looks. Pick yourselves up after the thousandth rejection and don’t get jaded towards attractive women. Give them a chance to give YOU a chance and see where it goes from there.

Interview with Eric Rochow of Gardenfork.tv

Posted by Bill Cammack On June - 19 - 2007

This week, I had the pleasure of interviewing Eric Rochow, the creator and producer of Gardenfork.tv, his “internet show” or “videoblog”.

What is Gardenfork?

Gardenfork is an internet video show – iTunes video podcast about cooking, gardening, and other stuff. Other stuff can include car repair, or how to drop tree with a chainsaw. Its very eclectic; for example I’ve been doing a series of shows on BBQ, stopping at places whenever I can and interviewing BBQ experts, but then I’m also working on a show about how to repair cracks in your basement walls.

You can watch the show on our website: http://gardenfork.tv or subcribe to it through our page on iTunes.

Why do you do your show?

I’ve always been one of those people who wants to tell people about a neat thing I’ve learned, an interesting fact, a cool gizmo I just read about. This stuff swirls in my head and I’m just driven to want to share what I’ve discovered. Gardenfork is a great outlet for this desire to share information that our viewers, for some reason, like to watch.

And, its just a total blast to do. The viewer feedback is just amazing, and almost instant. Once we post a new episode, we start getting viewers emailing us with comments. The connection I have with the viewers is something you can’t buy.

Here’s a review on viewer posted on the gardenfork page on iTunes:

“Eric Rochow is not a self-promoting, self-congratulatory, larger-than-life celebrity chef. He’s the average guy doing an exceptionally good job putting together a podcast that entertains, informs, and encourages.

From the homey feel of his kitchen to the cutaways to watch the dog chew up a stick or yawn to the occasional multiple retakes as he flubs his lines, you can’t help but to love the show. Eric doesn’t pretend to be anything he isn’t and that is a breath of fresh air in today’s world of highly processed entertainment”

I think what appeals to people is that while I can talk in ‘Web 2.0 speak’ with the best of them, I can also talk about the benefits of a big block Chevy, ( FYI: that’s a specific type of engine produced by GM with dual quad carbs ) or how to keep flea beetles off your lettuce.

“Down to earth” is a phrase I’ve heard a lot when people describe the show. Its me doing a project, and that project may or may not come out they way I intended. I leave in the mistakes, because we’re all human, we make mistakes every day.

How did you get started doing Gardenfork?

I’ve worked in creative fields all my life: video, film, photography, design; and I had pitched several cooking-gardening shows to the lifestyle cable channels. The show ideas were always well received, but because no well known personality was attached to the shows, they weren’t picked up.

Last year I was on the web and ran across a video blog, crashtestkitchen, and the lightbulb went off in my head – I could produce and distribute my own cooking-gardening show – and I didn’t need the cable networks to do it.

Then we had our friends over for dinner one night, and I handed my friend Bill my video camera and said, “We’re shooting a cooking show tonight”. I made puttanesca, which is a favorite of mine, we had fun doing it, and that energy came through on the video. I had forgotten to turn on all the lights in the kitchen, so the video is pretty dark, so I called that episode “Puttanesca In The Dark with Bill”

How do you choose what to videoblog about?

Basically, whatever I’m doing on the weekend, I try to make a show about it. Last weekend I made Rhubarb Jam and tried my hand at canning, so we shot that. It was great. Sometimes I plan ahead, sometimes its just whatever project needs doing that weekend. Now we get viewer mail asking for shows on specific topics, like building a grape arbor, so I’ll do that as well.

I have to replace the clutch in my truck soon, so that will be the subject of a two part show. You can’t show how to change out a clutch in 8 minutes.

What’s your background? How do you know how to do all this stuff? :)

My parents are born and bred New Yorkers, my grandfather was a buliding super in the Bronx, but I grew up mainly in Wisconsin. We did a lot of hiking, fishing, hunting. When something broke, we didn’t call the repairman, we figured out how to fix it.

When I was 14, my father bought my brother and I a 1949 Ford Pickup. It was in pieces. We learned about cars by putting one back together. At the same time I started gardening, and when I moved back to NY, I started cooking.

I now divide my time between Northwest Connecticut and New York City, both of which are fertile ground for many episodes of gardenfork.

Is producing Gardenfork.tv paying your bills?

Not yet, but in the future that is a very real possibility. More and more advertisers are moving to the web, and gardenfork viewers are a niche audience that certain advertisers very much want to connect with. The advertising wont be obtrusive, it will be along the lines of how PBS thanks its sponsors, with short pre-roll and post-roll clips.

In the very near future, your TV and your computer will be one appliance, its the ‘convergence’ everyone has been talking about, its finally happening. Gardenfork is part of this convergence of traditional TV and the Web. I wear the “media disruptor” label proudly.

Gardenfork has also helped me in business, as my multimedia company, choplogic, is now helping corporations create their own internal and external video blogs, text blogs, and community sites. My wife calls me “Husband 2.0″

Going forward, we are also in pre-production on a new internet video show, Real World Green http://realworldgreen.com, which is about practical things you can do to lower your impact on the earth. The goal is to appeal to viewers who may not relate to the current crop of ‘green’ programming that’s out there, our emphasis is on practical; less talk, more about things you can do.

Thanks Eric, and good luck with Gardenfork / RealWorldGreen! :D

Bill Cammack • New York City • Freelance Video Editor • alum.mit.edu/www/billcammack

BeachWalks With Rox #394otr

Posted by Bill Cammack On March - 25 - 2007

Beach Walk #394 OTR - New Friends, New York

Click the image for a link to Beach Walks With Rox #394otr from BlogHerBiz 07.

Leaving New York today, so here’s a short show from the airport. It’s a personal thank you to my New York friends.

I have always had wonderful trips to New York though the time passes far too quickly! The BlogHer Conference was very stimulating – being in the presence of so many engaged and smart people. Bill Cammack of ReelSolid.tv has become a great friend and has truly earned an honorary Beach Walks cameraman award. We plan to post excerpts of my panel presentation on our Bare Feet Studios podcast. Then at the last possible moment, I made two new friends, Eric and LV who drove in from White Plains and then took me to Newark Airport! Life is good.

billcammack reelsolidtv roxannedarling beachwalks.tv blogherbiz blogher

The Lab – Episode 02: Response To Randolfe

Posted by Bill Cammack On March - 25 - 2007

In response to The Lab Episode 02: American Pimp Randolfe wrote:

Now, this was really entertaining and very cool. I’ve always been fascinated by the world of prostitution.

Thanks. :)

Initially, I didn’t think the world of prostitution was interesting at all. It’s just not sporting… paying someone to have sex with you. It’s like how when you were a kid, in order to get candy that you liked, you had to wait for your parents to buy it for you and then you got it in the rations they allowed. Later in life, you have your own money, so you can afford to buy as much of that same candy as you want, whenever you want. The candy’s just as good, but there’s… I suppose “wonder” missing from the situation. It’s not a surprise that you’re getting it. You planned it, you went out and bought it. Same thing as buying chicks. *yawn*

Another problem with prostitution is that it takes YOU out of the game. If anybody can pay this chick do do what she does, you’ve accomplished nothing by paying her except guaranteeing that you get whatever service(s) she provides. That’s completely lame compared to getting out there and seeing what you can do. Same thing with strip clubs. Lame. Why go to a location where you can give the girls money, but not (legally) mess with them… instead of going to a regular bar or something and meeting a girl that you can do whatever you want with for free? I know the draw of the strip club is that the women are supposed to have fantastic bodies, but if you live somewhere like NYC, it’s just a numbers game. There’ll be another fantastic body coming down the street in about five minutes, depending on where you’re standing or what establishment you entered.

What became interesting to me about the situation was the “why” involved. I wanted to know WHY a chick would give her money to a pimp. I mean, I know WHY chicks “ho”… because they can make more money than they could with whatever skills they learned in school, or by NOT going to school. As long as she’s having sex with random guys anyway, she may as well get paid for it. What I didn’t understand was what was in it for the ho to give her money to a pimp, who seems to be doing nothing but shopping for himself, or misappropriating the funds to his benefit, as Brainy so properly explains. The pivotal statement about that is the part where the guy says “doctors need nurses, so hoes need pimps”. Once you realize that the pimp isn’t the leader, but rather the assistant… things start making perfect sense.

Personally, I have an unusual resume in this area. I believe I am one of the few men alive who has been a prostitute, a john and a madam at different times in my life.

That appears to me to be a relatively unique collection of titles, being that they require different motivations. It’s not tough to be a john, though. Just about everybody’s a john at one point or another, purely by definition. Everybody that’s ever bought a chick a drink with the intention of having sex with her is a john. He’s paid for sex, whether he got it or not. Everybody that took chicks out or spent any money or resources on them with the intention of eventually (and hopefully sooner rather than later) having sex with them is a john. Everybody that married a woman in order to (attempt to) lock her down from having sex with other guys is a john.

It’s tough to be a pimp (madam, as you describe it) for most guys, because nobody wants to go out with a ho. Nobody wants to date a ho. They want them around when it’s time to have sex, but that’s about it. In order to be a pimp, you’d have to accept that your girlfriend is going to be having sex with other guys….. which completely defeats the purpose of calling her your girlfriend in the first place, so cognitive dissonance usually screws that one up.

I traveled the world for four decades, off and on, with a Woodrow Wilson Scholar who spoke seven languages, was brilliant and a chronic alcoholic. We spent an inordinate amount of time drinking in Red Light Districts.

He was exclusively homosexual but loved talking to the girls, barmen, cab-drivers and patrons about their lives. I was a “situational bisexual” who’d setlle for a real girl if a feminine male couldn’t be found.

YIKES! hahaha You remind me of the discussions where people like to claim that men that have sex (intentionally) with men in jail aren’t homosexuals… BECAUSE… there weren’t any women around! HAHAHAHAHA

You understand how women came to be deemed “property” when a woman in Brazil gives you a card with her home address on it and asks you to come visit her in the afternoon (after you’ve screwed for money) because she is looking for “any man” to support her and rescue her from the life.

Well, I mean, it wasn’t until August, 1920, according to that women were allowed to vote in all states of the USA. , Page 4, “Most states adopted the English common law system which provided that a husband and wife were one person, and the one was the husband. All personal property owned or acquired by the wife became the property of the husband, and he had the absolute right to control all real property owned by the wife”. There’s tons more stuff that I don’t feel like finding right now that indicate that seeing women as NOT property in patriarchal societies such as ours is a relatively new concept.

The point being that without the ability to vote and make laws that would benefit them and without the ability to get jobs that guys just wouldn’t let them have, there’s no way a woman could own property. If she can’t own property, the only way she’s going to get it is if she marries someone, and then he leaves it to her in his will. Even under those circumstances, if she got married again, by law, her husband would have absorbed whatever she had gained from the previous marriage. There was no way for a woman to ‘get ahead’ at the time, so renting herself out permanently to a marriage or temporarily in order to make ends meet isn’t much of a stretch… and I’m talking about America, hahaha FORGET about Brazil! :D

I’d hesitate to even call women in the condition you describe “property”, since they can be had for so few $USD. There are enough sites that I’m not going to link to that have endless descriptions of what you can get in whatever country with some ridicuolus economy. You can have women all night and all the next day for what you might spend out with your friends for a night having drinks in Manhattan.

What’s so amazing about “pimping” (from my point of view) is that a pimp turns the normal straight world upside down. He has these women going out and slaving away to give him all their earnings. Meanwhile, the traditional husband goes out and slaves all day to turn all his earnings over to his wife & kids.

Well, that’s exactly what it is, a reversal. Like I mentioned earlier, it makes sense if you look at it from the point of view of the woman as the pivotal character. It’s not so much that pimps are CREATING hoes, as I originally thought. It’s more that the women are hoes ALREADY, and as such, require or look for a certain type of man to involve themselves with. The pimp appears to the ho as someone who’s worth paying for in order to procure their time and/or attention. The pimp likes the money more than the ho, and the ho likes the pimp more than the money, so it’s a fair exchange. She gets to hang out with the pimp, and he gets to go shopping with the money she makes on the corner.

In a traditional husband situation, the value is in the female. She represents his opportunity to have sex at the drop of a hat instead of going out in the street and trying to find and convince a chick to have sex with him. She also represents the opportunity for him to procreate, as well as someone to raise the kids while he’s at work. This starts all the way back at dating, like I mentioned before. The guy gets used to buying her drinks and paying for her to eat or go to the movies, and it’s only a natural continuation that he continues to go to work to ‘bring home the bacon’.

The potential consequence for NOT utilizing money to maintain the relationship is infidelity, which could lead to his ONE girlfriend or wife or whatever leaving him (thus taking the immediate availability of sex with her), or much worse than that….. He might end up on the Maury show with seven other guys who might be the father of “his” new baby. :O

The way prostitutes toss around money when they have it is puzzling. Some believe it is an “easy-come and easy-go” mentality. Several prostitutes, male and female, have told me that they will go out clubbing and blow most of all their night’s earnings on partying and drugs “because you have to do something to relax after all that you’ve gone through to make the money”.

That’s interesting. I have nothing to add to that because I don’t know any actual hoes. I mean, I know “easy” chicks, but not actual professional get-paid-to-have-sex chicks. The easy chicks either have sex just because they enjoy having sex or because they feel it’s an indication that SOMEBODY likes them. Either way, since they don’t make any money from that, I’ve never heard of what you just mentioned.

I always tell people that “working Hollywood Blvd for one summer in the late 1950s” was the best 3-months of life education I ever received. Indeed, it enabled me to get up and go to a 9 to 5 job for the rest of my life with no regrets.

Another concept I don’t have an educated opinion on, due to no experience whatsoever with prostitutes. I would guess however that the randomness and potential danger of the situation would point out how easy it is to get on a subway every morning, spend all of one’s daylight hours in a job, having regurgitated conversations at the water cooler, then coming home, eating dinner, watching some completely biased news and then some form of find-the-criminals-by-science show and then going to sleep only to wake up and do the exact same thing again when you wake up. It’s like even though you’re only making minimum wage, at least you’re guaranteed a certain amount of money at the end of a two-week period. Fringe benefits being stuff like it’s incredibly unlikely that someone’s going to toss you out of a moving car while you’re working “fries” at the fast food restaurant.

Actually, the pimps profiled in the clips here remind me of “pitch men” of sorts. I think their ’sharp’ manner of talking and ‘being operators’ resembled Bill’s persona. Now, I’m not advising Bill to become a pimp (if given the opportunity). Nor am I advising him to decline the opportunity should it arise :-).

hahaha Nope! Not my style. Too much work. :) The ROI is incredibly low. Not only that, but the fact of the matter is that you’re depending on someone else (or several chicks) to give you money. If something happens to that chick, you’re DONE! :D It’s like gambling… like trying to make a living playing the lottery every week. Besides that, I’d be skeeved out that some chick was messing with several guys all day, then wanted to come hang out with ME! hahaha YEESH! :) Pimping is for guys that like money more than chicks…. I’m not one of those guys.

Having said that, I’m not advocating spending money ON chicks. That’s trickin’, like I mentioned before. I’m just saying… Given the option between wasting 8 hours doing some job to get money and hanging out all day with a chick I enjoy… you’ll find me in Belmar sipping Maragaritas. :D

For sure, he’d be perfect to play the role of a “slick pimp” in some future blockbuster movie. However, he’ll probably do just as well pimping some new “techie thing” instead of some new “titty thing” :-).

I rarely receive such intelligent (and somewhat flattering) responses to my thoughtful postings on vlogs. But I felt my insights were greatly appreciated last time around so I thought I’d chance sharing them once more.

Obviously, you have some unique viewpoints. You might need to start your own “street life” blog. :)

Bill, here’s looking forward to seeing you at the Oscars! :-)

I’ll let you know when someone offers me a project that I think might go. ;)

blip at Pioneer Theater

Posted by Bill Cammack On February - 12 - 2007

Last night, blip.tv showcased some of their episodic comedy shows @ the Pioneer Theater in Manhattan, NYC… otherwise known as “Two Boots Theater”.

Brooklyn Hilary: blip.tv @ Pioneer Theater
Photo: Brooklyn Hilary

blip at pioneer theater

Charles & Hilary

Bil C. @ blip at pioneer theater

Brooklyn Hilary: Charles & Dina interview
Photo: Brooklyn Hilary

Unfortunately (or perhaps, FORTUNATELY, depending on who you are), my camera ran out of batteries before we went out for drinks to Mo Pitkin’s, where Sunday night means….. Rock Star Karaoke!!! Photobucket - Video and Image Hosting

The evening’s cast of characters included:
Charles Hope
Hilary McHone ….. a friend of Bre. :D
Mike Hudack
Dina Kaplan
Melissa
Angus
Eric
and about eight other people whose names I don’t recall, but whom I’d recognize if I saw them again. :D

The evening was big fun. More fun for SOME than others!!! ;) However… You know the rules of the game! :D

“If nobody blogged it… it didn’t happen!” Photobucket - Video and Image Hosting

Brooklyn Hilary: Bill C. Fauxtobooth
Photo: Brooklyn Hilary

2007 Broadband Emmy Awards

Posted by Bill Cammack On February - 6 - 2007

NATAS + MySpace = 2007 Broadband Emmy Awards

National Television Academy press release

LOS ANGELES – January 8, 2007 – MySpace, the world’s leading lifestyle portal, and the National Academy of Television Arts & Sciences, presenters of the coveted Emmy® Awards, today announced they have joined forces to honor premium broadband content on the Internet. MySpace will serve as the exclusive online partner of the Broadband Emmy Award submissions, empowering video producers and filmmakers to submit self-generated content for consideration through the official MySpace Emmy profile at http://myspace.com/MyEmmy.

The National Academy of Television Arts & Sciences debuted its first Emmy Award for content distributed via broadband and portable delivery last year and honored creators in four categories. This year, The Academy will triple the number, honoring creators in 12 categories in four content areas: Entertainment, Sports, News & Information, and Public & Community Service. In addition, high school students are eligible for the National Television Student Awards for Excellence for broadband-delivered content in all seven student categories. Read entire NTA press release…

Now THIS is going to be interesting. :D

[Full Disclosure: I am a NATAS Emmy Judge as well as an International Emmy Judge]

There are several ongoing debates within the community of people and groups who make videos and post their created content on the Internet. One of them is “what is and what is _not_ a video blog”. There’s another debate about videos posted in “closed” environments vs those posted in ways that make them accessible to whomever happens to be searching the net for video content. A MAJOR debate is what aggregators should and should not be doing with RSS feeds from either content creators or hosting sites.

Yet another daily debate is “what is QUALITY content?” or perhaps “what makes a show popular” or “what makes a show _good_”. The problem, IMO, with making distinctions about what constitutes a popular show is that depending on where you look and how you look at it, shows that get similar amounts of hits can be spun to look like either one is more “successful”. There is no agreed-upon site that can actually track site date consistently and accurately.

This makes sense, because there’s no bottleneck… Meda that goes to the internet goes straight out. It doesn’t have to go through EPs, producers, editors, quality control, legal, studios, stations, channels, local distribution points, cable boxes, televisions. There’s nowhere you can go and say “this show delivered 80,000 units through here and that show delivered 50,000 units, so the first show has more viewership for this period.

On top of that, there are several ways to get data from a site. If someone goes to my web site, they might view a page and then not view the video. They might open the page but not read anything on it at all. They might bypass the main page because they linked to a permalink for one post. They might not hit my site’s pages at all if they subscribe to my videos in RSS. They might not hit the RSS more than once if they are downloading the videos and watching them offline. So… if one site uses page hits to judge popularity and another site uses video downloads, they’re going to see things completely differently, even looking at the exact same site. If you have to have a particular widget installed to count in the rankings, you can forget it entirely as far as accuracy. Anyone who hits the site without being “part of the program” doesn’t count in the stats.

Anyway, I doubt the 2007 Broadband Emmy Awards will have anything to do with page hits and downloads. The Emmys in general are about quality content and quality production values. That’s what makes this contest interesting. MSM (Main Stream Media) is now getting involved in putting clips on the internet in mass quantities. All of a sudden, there are videos on MySpace with laugh-tracks. :/ All of a sudden, a “new” show appears with 30 episodes uploaded on the same day! :/ Reading the eligibility requirements for the MySpace contest, “Repurposed material originally produced for traditional media is not eligible”. That’s good, because cutting three minutes out of a professionally produced, shot and edited piece shouldn’t put you in position to compete with someone that made their video specifically for the internet. That doesn’t mean the internet piece isn’t well done or professionally produced, but it’s apples vs. oranges.

The first category open for submissions is “Entertainment”. It’s open right now, and “News & Documentary” opens on Feb. 26th. They both close on March 26, and finalists will be notified in April.

As usual, make sure you read the fine print in contests or even when you choose a hosting service to upload your videos to. Check out these terms of service in The Rules of the MySpace My Emmy contest:

By entering the Contest, you grant Sponsors a perpetual, fully-paid, irrevocable, non-exclusive license to reproduce, prepare derivative works of, distribute, display, sub-license, exhibit, transmit, broadcast, televise, digitize, otherwise use, and permit others to use and perform throughout the universe the Material (including without limitation, the underlying intellectual property therein to the extent necessary to exploit Material) in any manner, form, or format now or hereinafter created, including, but not limited to, on the Internet, and for any purpose, including, but not limited to, advertising or promotion of Sponsors and their services, all without further consent from or payment to you. The completion, expiration and/or termination of the Contest shall not affect Sponsors’ rights regarding Materials or Sponsors’ other rights hereunder. Sponsors shall have, forever and throughout the universe, the right to use such Material in any manner as determined by Sponsors in their sole discretion, including without limitation, the right to make changes, alterations, cuts, edits, interpolations, deletions and eliminations into and from such Material and the right to package such Material with those rendered by other Entrants in connection with the exploitation of such Material, all without further consent from or payment to you.

That’s fantastic! Look how progressive those terms are! Throughout the universe! :D Wow! They must know something we don’t know about pending space travel. Anyway… here’s the link to the Broadband Rules from MyEmmy.TV. If you’re willing to pay the $400 entry fee, you can skip all the TOS shenanigans and soul-selling.

The MyEmmy.TV page also includes the Judging Procedures & Criteria:

JUDGING PROCEDURES AND CRITERIA:

Content, Creativity and Execution are the primary standards for judging. Each criterion is given equal weight.

Judges will focus on the clarity of presentation of information, as well as the visual impact of the entry. Judges can also give weight to the entrant’s utilization of “broadband” capabilities, (e.g., interactivity, and viewers’ choice of images). Although any entry originally produced for “broadband” transmission is eligible to compete, the more the web’s capabilities are demonstrated in the production, the better the chances may be for winning.

Advocacy and presentation of strong points of view are eligible for award consideration. “Self-published” work by individuals as well as production entities is also eligible for consideration.
All “Broadband” entries/URLs will be viewed at home and judged in one round to determine the nominees and winner. Judging panels will consist of content experts rather than technicians. There will be separate panels for each category, although there may be an overlap with some judges serving on more than one panel. Judges vote via secret ballot using a scale of 10 for the highest and 1 for the lowest rating in each area (Content, Creativity, and Execution), for a total of 30 possible points.

OK… So I see what’s going on now. :) Myspace is holding a contest in which the winners will be sponsored to the official Emmy competition. There are going to be two levels of judging. You can skip one level altogether by paying the entry fee and going straight to http://www.myemmy.tv/ . If my understanding after skimming the official entry rules is correct, as long as you made your content specifically for the internet, any level of professional involvement, time or money spent on the project is fine.

I’ll be interested to see what MySpace promotes to entrance in the actual Broadband Emmy Awards. Let’s see if any of the “mom & pop” user-generated content gets the nod over studio-produced work. I’ll refrain from mentioning any shows that I think could compete favorably… VERY favorably in the competition, just in case my region is involved in the judging and asks me to participate.

Either way, I think both the MySpace contest and the official Broadband Emmy Awards are fantastic ways for content creators to gain exposure and/or accolades. It’s definitely worth considering entering… whether it’s a video that was already done (since March 2nd, 2006) or one that you’re planning up until April 2007.

Bill Cammack • New York City • Freelance Video Editor • alum.mit.edu/www/billcammack

re: Justin Kownacki’s STBD SOTU 2007

Posted by Bill Cammack On January - 25 - 2007

re: Justin Kownacki’s STBD SOTU 2007

Brilliant assessment & planning, Justin. :)

I’ve been watching STBD since about the middle of last season, and I’ve seen some of the archived episodes. My impression of it was “the life in general of several people that happen to know each other because of professional and personal affiliations”. Since I started watching after the show became more spread out, the radio station didnt actually have anything to do with anything for me. I saw a couple of episodes where they were saying they were selling the station or shutting down, and I saw it as more of a removal of a location than something really important to the show’s storyline.

I suppose the speed of the storylines is as dependent upon how much time the producers & editors are willing to spend crafting them as it is upon how often the actors in a particular scene (and the crew to shoot it) are available at the same time. It’s much easier and faster to cut a more slowly-paced episode than a fast-paced one that requires more cutting and therefore more continuity between the scenes. OTOH, the faster the scenes are paced, the more storylines you can fit into the same amount of time, or you can cut your show lengths down. Another consideration is the effect of changing pacing on the “feel” of the show. Regardless of the choice of pacing inside one scene or one episode, looking at the pacing over time, such as “how many episodes will it take to get this character from finding out about an issue to resolving or becoming consumed by that issue” is very important. Soap operas drop something and the resolution doesn’t happen for the next two weeks (10 episodes). Sit-coms achieve resolution within 30 minutes to an hour. I think that having the IRL timelines of plots in the script locked down is going to be crucial for STBD moving into your new production / business / community plan.

Regarding the lack of unification because of so many characters, STBD definitely needs to have a searchable way to track specific characters. One of your additions in your web site plan needs to be a text-based, searchable episode list with links and tags based on the characters in each episode. If someone watches an episode and wants to learn more about Caroline, there needs to be a way for them to quickly pull up the sequence of episodes with Caroline and/or her storyline in them. She might not be in the actual show, but something that happens in that show is relevant to the development of her character or someone involved with her. Of course, that’s easier said than done, and it’s easier to start off with a text-based cast/crew listing like IMDB has, so that at least fans can create a list of the episodes that the character they’re following is in and possibly create RSS feeds so they can follow along when that character’s next episode comes out. Overall, I think that spinning off shows based on popular storylines is a great idea. :)

The “heightened conflicts” issue is very important and IMO drives the IRL timelines of an episodic production like STBD. The show has to move quickly enough to keep people interested in the conflict. Unfortunately, this is a lot easier to deal with in a situation where the resolution is definitely going to occur “soon” like in a show that is completely done after every episode or a mini-series that’s going to be over after the sixth episode. In the HBO series “Rome”, you knew that by the end of the season, Caesar was going to be dead…. I mean, assuming you knew about these things to begin with. That leads to situations of heightened conflicts, but also “lack of conflict” as you know that Caesar’s going to be stabbed to death by people including Brutus, so there’s a complete lack of suspense in his character’s part when he’s on a campaign or in a war or something. OTOH, you never know if the other characters are going to live or die in the situations they get involved in. The heightened conflict is that even though they’re the stars of the show, they’re expendable in the grand scheme of things.

I think “The Sopranos” is more relevant to STBD. In the first season, guys were dropping like flies, because the focus was to show the struggle for posession, survival and success in organized crime. As time went on, there were fewer characters that they were able to develop to the point of being so important either to the characters in the show or to the viewer that they needed to be “rubbed out”. “The Sopranos” settled into being more “Tony’s home life” oriented and stable, which was a turn-off to many of the viewers that were originally so interested in the show because of action, violence and not knowing who was going to “go” next. It’s kind of like “Now that Tony’s made it to the top, what’s there to do? What stories are left to tell?”. STBD (at this point at least) seems to be about the ongoing lives of people that don’t really have any conflicts other than where they’re going to work or whom they’re dating. Similar to Tony Soprano’s settled life in the later seasons, it’s tough to create & heighten conflict in an environment like that. I see it more as being the “fly on the wall” as these people live their lives than watching something that’s potentially volatile.

Overall, I enjoy STBD and I’m looking forward to seeing where this new vision takes you. Much of what you mentioned requires planning, and planning takes time and time is money, so hopefully your monetization plans work out so that the people involved will be able to devote more time and energy to the show.

Good Luck! :D

oh… either way… make sure you remember that…

“women wanna SEE it & men wanna BE it!” :D

re: Chris Brogan’s “Your Voice”

Posted by Bill Cammack On January - 15 - 2007

re: Chris Brogan’s “Your Voice”

I think there’s something more important / useful than learning voice. That would be learning to listen to yourself and discover your own voice.

Learn your own patterns, your own perceptions, your own priorities and values. The more aware you become of your own personal “voice”, the more efficient you’ll be in expressing yourself and the more you’ll enjoy what you’re doing, which makes it easier to write A LOT in a short amount of time.

Then again, it depends on what one is writing about… I can’t write about surfing, because I don’t surf. I’ve seen “Point Break” and other beach movies, and I’ve even watched a competition or two on television, but I have no personal experience with surfing, so A) it would take me a long time to write something about surfing, and B) whomever actually surfs would know that what I’m saying is completely inauthentic. If the goal is to write horror films or stories about people flying around on brooms, then, yeah… I think that needs to be learned! :D

Your (Chris’) particular voice may very well be ‘merely’ a series of writing tricks….. except it’s YOUR collection of tricks and you deploy them in your own particular fashion. The individuality is in the selection and use of the tools, not the tools themselves. The ‘value’ of your voice is found in the same place. Your perception is what separates you from the next writer. It’s all about how you perceive things and then how you express yourself to the reader. I see a table, you see a chair, someone else sees a collection of wood. Making others aware of a different way of seeing things is value right there.

Person vs Material is an interesting question. I think the first time, people in general read for material… After that, they read for the person… assuming it’s the same material. I think that if they disagree with or just plain wouldn’t like to believe what you have to say about things, they won’t return to read more, even if it’s on a topic they’re really interested in. OTOH, if you have an interesting take on people flying around on brooms, they might click on your new article about auto repair…..

I think that what makes someone’s ‘voice’ useful to someone else is relevance and competence. If you’re talking about issues that are interesting or important to that person and they respect what you have to say about it or how you see it, you’ve gained someone that sees you as an authority on that topic. If that person decides to check what you have to say on other topics, they may gain respect for your views in general and not just on that one topic that they clicked on from a search engine that one time.

Interestingly enough, IMO, it all comes down to individuality, and perhaps the luck of the draw… How much life experience is someone bringing to the table to be able to talk about certain issues? How much training did someone pursue to learn “writing tricks”? How often can you say about that person “he/she has a point there!”? How narrow does that person’s range appear to be in different topics that they can talk about intelligently? Where has this person gone and what have they put themselves through in order to formulate the concepts they’re expressing right now?

I’ve actually learned some of this over the last few months. The ‘value’ isn’t in the production values or the writing tricks & gimmicks. The value is in what YOU take for granted that other people have no idea about and have no way of finding out about unless YOU tell them about it, take them there and show it to them…..

HollaBack Girls 03

Posted by Bill Cammack On January - 15 - 2007

Rox said in a reply to “Hollaback Girls 02″:

I’m all for some consciousness raising Bill and you’re to be lauded by jumping in here. I draw a distinction between “boys being boys” and actual harassment and assault. Women who are waiting for men to change will wait forever to feel at ease on the street. Girls, it’s an inside job! Let’s start building up our “ignoring muscles” and stop letting them get to us. “Aura In” and they’ll either notice you less or you’ll notice it less, or both! Vent as necessary to get back on center. And to those slime balls who cross the line to actual assault, haul ‘em into court.

Thanks Rox. I agree with making distinctions in these situations. A lot of what I read was egregious behavior that should be reprimanded, and some of it prosecuted. There were other cases where the women were upset that a guy was looking at them from far, far away or that he added “baby” or “sweetheart” to his verbal greeting to them. They were upset by ANY indication that a guy wanted them, sexually. Unfortunately, except for test-tube-babies and sperm banks, that’s what we’re all doing here…. SOME guy wanted to have sex with SOME girl, and they did it and someone raised that baby and now that baby is YOU. I think those women that are hoping that guys are going to stop being sexually attracted to them could use your “Aura In” suggestion. :D

OTOH, there’s tons of incorrect behavior that goes on that should be stopped. Again, I have the benefit of being a guy, so I can walk past construction sites without incident. I can order food or a beer without someone asking me personal questions. I can walk down the street and think without random people interrupting my train of thought because they want something from me. I can walk past a group of guys that I KNOW are going to harass the next attractive female they see without them saying anything to me. It’s easy to not be able to empathize with women in these cases, because A) men don’t get sexually harassed in the street, and B) our reaction to harassment is going to be the buildup of adrenaline and aggression as opposed to fear and just HOPING nothing happens to us or counting on words to get us out of the situation instead of physical action.

There really isn’t a reverse equivalent. Women can’t sexually harass men in the same way. As long as the woman is attractive to the guy, he’s going to be glad she’s kicking it to him. He’s still going to choose whether he has sex with her or not (because he’s married, because he thinks she’s “too easy”, whatever), but it’s a POSITIVE thing that she’s interested in getting with him. From what I read, a lot of women just hate the fact that guys want to have sex with them without knowing anything about them other than what they look like, or in the cases where their bodies are covered, just the fact that they’re females. I’m not talking about the guys that clearly have no chance of getting on and are just saying things to the women in order to be jerks. I’m talking about the guys that have a certain percentage chance that a woman’s going to like how they look and accept their rap and take things from there. They say the same things to women all day and all night, and most of them don’t go for it, but some of them do.

If the woman ISN’T physically attractive to the guy, hahaha, that’s STILL not the same thing, because the element of intimidation isn’t there. If he’s not attracted to her, he’s not having sex with her, regardless of what she says, so it’s more like an annoying fly buzzing around. If she presses him, it’s the same situation as the bum in front of McDonalds. She’s going to have to back off, or there will be “consequences & repercussions”! :D (Eddie Murphy, “Life“)

The point is that many of the things that make women feel harassed, like a guy saying “hey baby” can’t really be understood by guys, because there’s no equivalent. Any pressure put on a guy is going to lead to self-defense. It all falls under the umbrella of ‘disrespect’, and will be dealt with accordingly. Women have too many examples of their own and from other women where a situation started out “just like this” and ended up in a really bad situation for them. The only way around this, IMO, is to increase male awareness about the intimidation aspect that women perceive in what they’re doing. I know guys that will go “hey ma” and “hey beautiful” and “you look good” etc etc ALL DAY, up and down the block… but if they see some guy actually harassing one of these women, they’ll beat the living tar out of him. This is because what they’re doing is SOCIALIZING. They’re making it known to the women in whatever style they use that they’re interested in them, and they’d like to spend some time with them. If the women aren’t interested, they keep going and that’s that. The guys doing it have ZERO bad intentions towards the women, but I’m sure a lot of them don’t connect their socialization style to the women feeling intimidated at all.

OTOH, there are lots of guys that act like jerks just because they can, to guys & girls alike, and they enjoy and abuse the advantages they have over women, so all you can do is “fight the good fight” of education, awareness and rarely, legislation.

HollaBack Girls

Posted by Bill Cammack On January - 12 - 2007

So I’m browsing the blip videos, and I see this one called “I holla’ed back”. Having no idea what that meant, I figured it referenced the popular song about Hollaback Girls. :D The whole point of that record was saying that she WASN’T a Hollaback Girl, so I was curious to know why the title of this video indicated that this person DID “holla back”. I won’t spoil the plot of the video… You can go watch it if you’re interested by clicking this link to the original post. I didn’t watch it from the post, I watched it from blip.tv, but you get the actual context in the post. Anyway… I didn’t see any of that background information when I watched the video. I went to her blog to check out the comments, and that’s where I found out what she was talking about in her title.

There’s a network of sites called “HollaBack…..”:

All Holla Backs are independent collectives, in support of the same international mission; they are in no way affiliated with one another unless otherwise noted.

The site that referenced the “I holla’ed back” video was HollaBackBOSTON. When I followed the link, I realized that she had taken the idea of the site to the next level, hahaha :D The idea of HollaBack sites is for women who feel they were harassed to be able to tell their friends and the world about it. Some of them bolster their complaints with snapshots from their cell-phone cameras. This was the next level, because this was an actual LIVE VIDEO of someone going back and confronting her harassers.

It’s really pretty interesting to read what these women have to say about their daily experiences. HollaBackBOSTON has archives going back to May 2006 (6 months). The video was taped in SF, so I figured it was sent to Boston because there was only one site like this. I was thinking… MAN! They could write about this for DAYS in NYC… That’s when I started looking for links and found the list of the rest of these sites, including HollaBackNEWYORKCITY! :D New York’s archives go back to October, 2005! :)

This was interesting for a few reasons. One of them was that as I was heading back home from Art Bar a few nights ago, after one train completely ditched us at the platform and never stopped… I was in the middle of a subway car that had some overly-drunk guy on one end of it with a couple of guys and a girl with him, trying to keep him quiet and get him to sit down, and a couple of women sitting together at the other end of the car. This guy kept yelling drunk stuff at them, and he was really pretty belligerent. The women acted like they couldn’t hear him. As they were getting off the train, he screams at them “GOOD NIGHT, LADIES!!!” as if he had just been kicking it with them, hahahaha :? Obviously, I had my camera on me, but it TOTALLY didn’t occur to me to tape him running his mouth, because A) I didn’t give a damn, and B) I didn’t find it interesting and couldn’t figure out who MIGHT think it was interesting. Now I know… hahahaha :D

The other reason it was interesting was that I felt like this girl on the subway took a picture of me with her phone. :) I really didn’t think anything about it, because there are always Paparazzi… “those damned Paparazzi! :D” This is New York City, tourists and cameras all over the place. There’s always someone trying to take a picture of someone else.

Anyway, I find this stuff entertaining, because it’s the kind of thing that women never bring up in front of guys… they only tell other women. It’s interesting to see their perception of random guys trying to get sex from them, having just seen them for the first time in life a few seconds ago, or staring at their bodies or hissing at them or committing egregious indecent exposure or worse. I’m sure that from most of the guys’ sides of things, if they mentioned the situation at all, all they had to say was “Yo… there was this fine [chick] at the bus stop… MAN! You should have seeeeeen her ass! :D” and that was the end of the entire conversation.

Friends with an Ex

Posted by Bill Cammack On January - 10 - 2007

re: http://www.sexerati.com/2007/01/08/how-to-be-friends-with-your-ex/

You’re absolutely right that “let’s just be friends” means that he’s
not interested in hitting it anymore. The reasons aren’t important.
It may be because your body has changed and he’s not physically
attracted to you anymore, or he’s met someone that turns him on a lot
more than you do so that sex with you would be hehe anti-climactic. :)

It’s entirely possible to be friends with someone after your
“relationship” has gone south. First of all, it’s not the
relationship that went south, it’s his desire to have sex with you.
That has nothing to do with whether he likes you as a person or would
spend time with you like any other person he’s met in life and likes
personality-wise. Second… It all depends on whether the two of you
were ever friends in the first place.

As the saying goes, women give sex to get relationships and men give
relationships to get sex. When they’re no longer interested in the
sex, there’s no reason for the guy to fake being in a relationship
with you. Or, if you don’t like the term “faking”, the only thing
that was causing him to consider you as “special” is now gone, and he
becomes either a free agent or has a new “special someone” that he’s
devoting his physcial time to. That doesn’t mean he won’t hang out
with you or talk to you on the phone or check out a movie with you IF
he feels friendly towards you without the impetus of ‘getting on’.

There are lots of reasons people declare that they’re in a
relationship with someone, including loneliness, horniness, and the
fact that they just can’t get anyone else to have sex with them. If
that’s why he was with you, you’re short. If he liked you as a
person and felt that you were worthwhile to hang out with regardless
of whether he’s having sex with you, he’s going to have just as much
respect and esteem for you “after the fact” as he did when it was on.

It’s funny how you often don’t find out what’s really going on in a
relationship until it’s over. :D



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