Women Without Makeup

A chick not wearing makeup can’t provoke anyone to do anything.

So HuffPo recently posted an article about Alicia Keys not wearing makeup to the VMAs (The MTV Video Music Awards), entitled “The Anger Provoked By Alicia Keys Not Wearing Makeup To The VMAs Is Sadly Not Surprising”.

The only reason I even clicked on this article was because of the words “Anger Provoked”.

First of all, Provoke (merriam-webster.com/dictionary/provoke) means to cause the occurrence of (a feeling or action) : to make (something) happen : to cause (a person or animal) to become angry, violent, etc.

So, for instance, if I punch you in your face, that means I’ve provoked you to feel hurt and/or to fall on the floor.

My action (smashing your grill) caused your reaction (feeling emotional or physical pain and/or losing the ability to continue to stand up).

A chick not wearing makeup can’t provoke anyone to do anything. Continue reading “Women Without Makeup”

Abiola Abrams: MTV “Ladies Man” Coach

My homegirl, Abiola Abrams [Web/Twitter/Facebook] was selected by MTV to be a “Made” coach.

Her episode was about transforming a 15-year-old, scrawny geek dude into a Ladies Man.

You can see deleted scenes on the MTV: “Made” site, and eventually, they’ll have the full episode available.

I personally enjoyed the show. I thought it was very funny, and Abiola’s advice and training was on-point.

I also found it interesting that for once, they sent a female to tell a guy how to get girls.

This actually makes sense, because Abiola can tell guys what she doesn’t like about their presentation, technique or style in the same way I can tell chicks how to dress or carry themselves if they want to be the cream that rises to the top in the dating game and snag the guy they want instead of letting the next gal bag him.

Abiola threw a viewing party at NYC’s “SoHo Room” to celebrate the show’s premiere. Here’s the link to her blog post about the evening and the photo gallery => http://www.abiolatv.com/2011/02/mtv-made-ladies-man-watching-party-at.html

The festivities included Speed Dating… Here’s a video of Abiola breakin’ down the rules:


YouTube Link: http://www.youtube.com/watch?v=gMoSBPr9Gxo

A good time was had by all at the party. Dude on the episode learned some essential skillz and ended up bagging not only a nice date for his party, but receiving his first kiss from a girl instead of that piece of bread that he was practicing kissing with…. Don’t ask.. Just watch the show. 😀

I’m expecting more power moves from Abiola throughout 2011. Stay Tuned! 😀

Edit: March 08, 2011 – Watch Abiola’s episode below or click here to watch “Ep. 31 Ladies Man” on MTV.

Tags:
MADE, MTV Shows


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Livecasting

My excellent friend ActionGirl hung out with me today. We did a dual-channel livecast using ustream.tv.

Livecasting, if you’re not familiar, is one of the newest internet fads, but it’s also NOT new. Technology has advanced to the point that the average joe has the ability to broadcast his or her life effortlessly and without cost (except for the obvious costs of computer, webcam, broadband connection, etc).

Similar to quasi-scripted MSM shows like MTV’s “The Real World”, people now have the ability to leave a camera running and pointed at them as they go about their daily business. Some people livecast from work. Some people livecast from home. Some people livecast on the move with EV-DO modem cards and laptops, like Sarah and Lisa do on justin.tv.

I became intersted in livecasting after watching Drew Olanoff‘s feed from PodCamp Philly. It was fun watching Drew roam the hallways and run into conference attendees and presenters. There was something cool about interacting with this live show that was going on, NOW. 🙂 It was different because you could actually affect the course of the show, assuming the host was monitoring the text chat room. It was different because you could call your friends that you saw in the background and have them come over and talk to you on camera. It was cool because you were receiving information RIGHT NOW, just like everyone that was actually in Philadelphia for the conference.

So I wanted to check it out, and ActionGirl was down to experiment with me….. um…. was down to join me in my livecasting experiment. 🙂

We started out outdoors, utilizing free WiFi in the area. We were streaming about one frame per five seconds. Our video was choppy and our audio wasn’t much better. Some glitch occurred where ActionGirl had bars of wireless signal, yet was unable to connect to the internet at all. Strange. Next, I tried receiving signal via my EV-DO modem card and sharing my internet connection with ActionGirl via airport. That was really slow, but I’ve never tried that before, and I think it was due to my card not connecting properly. I didn’t have this diagnostics entry in my taskbar that I should have had, so I don’t figure the card was functioning optimally at that point.

We retired indoors and used WiFi connections to stream from each of our macbooks. Connection was quick, and I was able to embed both of our streams plus a text chat on one page and run that from my site. I later added our friend Chris’ stream, so we had three simultaneous live streams on the page.

Livecasting is tough to do properly, IMO, without monitoring your chat room(s). I suppose there IS no ‘proper’ way to livecast, since it’s really “anything goes”, but in order to interact with your audience, you have to read what they’re typing to you. If you’re not planning to interact with them, clearly, you don’t have to bother with that. I found myself responding late to comments because while we were saying something, the text chat was scrolling up and I’d have to read up to notice what people said minutes before.

I think the audience is as important as the host… Meaning that if you have the right audience, even if that’s ‘only’ one or two people who actually know you or are genuinely interested in what you do, livecasting can be a fun and rewarding experience. The best times today were when our friends were on, even just for a few minutes, and we got to interact with them and answer their questions. OTOH, when the audience isn’t prime, it’s tough, if not impossible to get revved up to deliver your best ‘performance’.

For me, *teamwork* is key. I’m not interested in doing my own solo livecast. If I know I’m going to be around interesting people or at an event that would be of interest to people I know, then I’m glad to broadcast it. It also helps if you actually like and enjoy the person you’re livecasting with so you know that even if NOBODY shows up, you’re going to have a good time that day. 🙂

Eventually, we called it a night. I felt pretty exhausted by then, actually. When we shut our feeds down, it actually felt strange to me to NOT be on camera. Once we came inside, we were on from around 6pm to 9pm, and even that felt like an eternity. I’m not sure how (or why) people do that during their every waking hour. I guess you have to be the type of person that enjoys random people interacting with you. I suppose some people do it for the fame or notoriety.

I don’t know that there’s going to be a way to monetize lifecasting. I experimented with product placement, including beverages and t-shirts. It’s tough to do well, live, trying to get products in front of a tiny webcam lens in the optimal size, focus and location. Still… A lot of people like to broadcast their lives, and a lot of people like to watch those broadcasts, so we’ll see where this fad takes us next. 🙂

Bill Cammack • New York City • Freelance Video Editor • alum.mit.edu/www/billcammack

Cruxy Presents Suzanne Vega (Virtually)

Tomorrow night, (Friday, July 13th, 7pm EST) Cruxy will host a one-of-a-kind event as Suzanne Vega returns to her avatar form for a special virtual listening party in Second Life. Vega will be celebrating the upcoming release of her new album BEAUTY & CRIME, out July 17 on Blue Note. I caught up with Jon Oakes to get the inside story. 🙂

What is Cruxy?

Cruxy is a media platform that allows any digital content creator (mostly emerging filmmakers and musicians) to promote and sell their works. Here’s a simple example: You’ve shot a short film. You put it in Mp4 format and upload it to Cruxy. We create all of the thumbnails, previews and promotional widgets for you. You set a price of $1 for others to buy a download of the film. We handle taking the money from the buyers and delivering cash to you (less a small fee that we charge).

Here’s a real world example of Cruxy in action. Some folks in the Midwest have a company called ShortTrackWorld. They go (in their cool van) to lots of small car races all over the Midwest where regular folks race their super modified race cars around… you guessed it, short tracks. ShortTrackWorld films the car races and then uses a satellite link to upload the videos from the event to their Cruxy page. They sell the videos of the race event to the drivers and fans and the videos are available just hours after the race. It’s pretty cool in action. You can check out the ShortTrackWorld page on Cruxy here: www.cruxy.com/stw

Recently we’ve been more focused on helping creators get their work into virtual world environments like Second Life. We see that as the next phase and our main focus moving forward.

What is the status of Cruxy as a startup, and who is team?

We are two full timers with a coterie of supporters, contractors, advisors and well-wishers. We are financed by our personal savings accounts, some paying engagements, anxiety and sweat.

Nathan Freitas and myself, Jon Oakes, have been working together for over eight years through three different (successful!) startups. We have built a ton of different technology, products, and solutions for people ranging from the government, to major corporations, and other technology businesses, but are most excited now to be applying our skills and inspiration towards creating new economic and marketing models for creative people, as well as the entertainment industry. Through Cruxy.com, we get to work with true indie talent and give them access to our entire platform. Working with a major artist and label such as Blue Note allows us to customize aspects of our platform, and create unique solutions, which also happen to help pay the bills. Its a good setup, and allows us to see the radical changes that are happening in this business from multiple standpoints.

What’s some of the interesting technology behind Cruxy.com?

As a startup, we need to be smart about how we spend our money so we use Amazon’s S3 and EC2 services for all of our server and data delivery needs. We pay on a variable basis (we did not have to go plunk down $25k for a bunch of servers and commit to a high monthly data service fee). This is really “on demand” computing and it allows us to scale in a pay that is precisely correlated ith our traffic and demand… rather than investing everything in infrastructure and hoping to fill up the pipe.

We’ve built a pretty robust system for syndicating media content. We built our syndication system to use the XSPF format which gives us unlimited dynamic playlisting capabilities.

We’ve also built a “virtual world widget” which allows people to distribute their music to their avatar in Second Life. They can then stream their music into their land or venue in Second Life so others can experience their music in a totally new and social way. Rather than just have a bunch of people anonymously visit a web page and listen to your stuff, with the virtual world widgets, you can hang out in your virtual environment in Second Life while a group of people check out and discuss your work.

Besides Second Life, are there other places where creators can syndicate their media?

Cruxy supports a variety of technologies that allow any media upload to our system to be republished and indexed by almost any standards-based service on the web. We’ve got flash widgets, RSS feeds, XSPF feeds, and even some microformats support. We also recently announced our deep integration with FaceBook so creators can get their work out to their FaceBook network more easily. We expect to launch this feature in August.

Looking towards the future, we see the growth of gaming and virtual worlds as online social environments to be a huge opportunity for creative artists to gain exposure and income. We fully intend to extend the Cruxy platform into these types of spaces and economic models.

What’s the story behind tomorrow’s Second Life event with Suzanne Vega?

We have built a virtual lower east side “Ludlow Street” circa 1990 environment to promote Suzanne Vega’s new album “Beauty and Crime”, which is full of songs about various aspects of New York. Suzanne will join us (in avatar form) for a live interview and take questions from her fans. Avatars who attend will also be able to watch video of some of her recent live performances and sample her new album.

Each attendee to the event will receive a Virtual World Widget that allows them to host their own listening parties and share the music with friends in their own land or club within Second Life.

What makes this event with Suzanne Vega different from her first appearance in Second Life?

We used the new Second Life voice beta software for this event. We also built the lower east side environment where avatars can come to hang out, drive taxi cabs, talk on pay phones and spray paint on walls long after the event. This event is about more than just the event… it’s about the environment where people can come whenever they want and sample the album while experiencing the New York that so inspires the album. We’ve got graffiti by Zephyr, the prolific graffiti artist of that era and guitars by Robbie Dingo, the renowwnded Second Life designer, at a LES guitar shop.

One other thing to note is that the MTV virtual lower east side is designed for the 18 to 25 crowd that might not remember New York pre-Guiliani. We wanted to recreate more of the grunge aesthetic that we so enjoyed in our 20’s in NYC.

How big is the market for what you are doing? Breakdancers and indie musicians don’t really make much money, right?

What everyone is realizing is that there is a growing appetite for independently created media content.

Cruxy is also one of those UGC filter sites. The higher end of the UGC market puts their stuff in Cruxy. We don’t get much of the teenage car surfing or flatulence type stuff (nothing against it as a… social… expression, but it’s not what Cruxy is about)

Thanks Jon. Good luck with Cruxy and Suzanne Vega’s event tomorrow! 😀


“Graf art building on Virtual Ludlow Street New York”
Photo Credit: Nathan Freitas

Jonathan Oakes founded and managed his first start-up, a systems integration consultancy, at 24 years old. In 1998 Oakes co-founded ThinAirApps, where he served as CEO and Chairman leading the company to a successful acquisition by Palm Inc. in 2001. Oakes spent over two years at Palm, as Senior Director managing corporate and product strategy. Oakes earned a BA in American Studies from Skidmore College and an MBA from Harvard Business School.

Over the last ten years, Nathan Freitas’ career has spanned the academic, corporate, and non-profit worlds, solving difficult problems through the thoughtful application of technology. His work has been built into Palm handhelds, on display at JavaONE and SIGGRAPH, included in Wikipedia, and covered in media ranging from Boing Boing and Slashdot, to the New York Times and Howard Rheingold’s book “Smart Mobs”. He also plays a mean double bass.

Bill Cammack • New York City • Freelance Video Editor • alum.mit.edu/www/billcammack

New Joost Version Available

Calling all Beta-Testers… The latest version of Joost (version 0.9) is now available to download.

Channels include Warner Brothers, IndyCar Series, Lazy TV, National Geographic, MTV, Comedy Central, Gamestar TV, Indieflix Premier Hits…….

There’s also a new login procedure, that allows you to select a unique user name, so sign up soon so you can get the name you want! 😀

Bill Cammack • New York City • Freelance Video Editor • alum.mit.edu/www/billcammack